Mike & Tim joined forces to present a detailed insight into the collaborative processes behind the creation of the MAKE IT 2017 opening title sequence.
Every year Sydney is transformed into a magical world for the annual Vivid Festival. The highlight of the event is Lighting the Sails, when the Sydney Opera House is transformed into a huge canvas for incredible light projections.
Ben Watts was involved in creating a fantastic health TVC late last year. I asked him to give us some insights into his process,
WAKE is a new short from two very talented artists,Dan Braga and Julz Lane, both currently studying at Billy Blue College of Design here in Sydney. Dan & Jules recently collaborated to create this stunning piece for one of their class projects.
Adobe approached Never Sit Still and Luxx to create the opening titles for their annual creative conference, Make It, which took place at Carriageworks in Sydney on May 5, 2016. The titles were played to a full house with 1400 people in attendance.
Anselm von Seherr-Thoss explains how RealFlow was used to make some amazing effects for the Gatorade commercial featuring football superstars Lionel Messi and James Rodríguez.
Avengers: Age of Ultron – A RealFlow Case Study from Zoic Studios ZOIC Studios is a visual effects company based in Culver City, California and Vancouver, B.C., Canada. “Visual Evolution” is their mission- to evolve the story, art, and technology of the moving image, and through this evolution, broaden the audience for moving images. …VFX/CG […]
Carbon 3D : A RealFlow Case Study from Fusion CI Studios Fusion CI Studios is committed to excelling at complex dynamic fx challenges. Realistic physical simulation is the core of their work – complex fluid and particle fx like smoke, fire, explosions and rigid/soft body dynamics at uncompromising, photo-real, feature-film quality. …When Carbon 3D announced […]
Blur Studio is an award-winning production company based in Culver City, California. They work on such jobs ranging from commercials, games, cinematics and VFX for film, Brandon Young from Blur talks about working with the Caped Crusader’s awesome vehicle using RealFlow.